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A theory or style of computer-based art originating and developed in eastern Northica in the early 21st century, characterized by capturing the essense of a scene in digital form, rejecting an increasing digital precision as an over-representation of reality, and evoking the movement of time and light. The name derives from the style and its emphasis on light and color reminiscent of the original Impressionist movement.
Willem Hawthorne Binney
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